Michael Madhusudan Dutta
Michael Madhusudan Dutt or Michael Madhusudan
Dutta was a popular 19th century Bengali poet and dramatist. He
was born in Sagordari, on the bank of Kopotaksho River, a village in
Jessore District, East Bengal (now in Bangladesh). His father was
Rajnarayan Dutt, an eminent lawyer, and his mother was Janaki Devi. He was a
pioneer in Bengali drama. His famous work Meghnad Bodh Kavya, is a tragic epic.
It consists of nine cantos and is quite exceptional in Bengali literature in
terms of style and content.
From an early age, Madhusudan desired to be an
Englishman in form and manner. Born to a Hindu landed gentry family, he
converted to Chiristianity to the ire of his family and adopted the first name
Michael. He is widely considered to be one of the greatest poets in Bengali
literature and a father of Bengali sonnet. He pioneered what came to be called
Amitrakshar Chhanda (blank verse).
Madhusudan embraced Christianity
at Mission Church in spite of objections of his parents and
relatives on February 9, 1843. Dutt was particularly inspired by both the life
and work of romantic poet Lord Byron. The life of Dutt closely parallels the
life of Lord Byron in many respects. Like Byron, Dutt was spirited bohemian, romantic,
albeit being born on the other side of the world, and as a recipient subject of
the British imperialist enterprise. However, the lives of the two can be summed
up in one word : Audacity. Madhusudan was a gifted linguist and polyglot.
Besides Indian languages like Bengali, Sanskrit and Tamil, he was well versed
in classical languages like Greek and Latin. He also had a full understanding
of modern European languages like Italian and French and could read and write
the last two with perfect grace and ease.
Sarmishta (spelt as Sermista in English) was
Madhusudan’s first attempt at blank verse in Bengali literature. It is a type
of verse used in poems. In this type of verse every line of the poem should
have exactly 14 letters. Kaliprasana Singha organized a felicitation ceremony
for Madhusudan to mark the introduction of blank verse in Bengali poetry, Observed
:
“ As long as the Bengali race and
Bengali literature would exist, the sweet lyre of Madhusudan would never cease
playing.”
In his “The Autobiography of an unknown Indian”,
Nirad C. Chaudhuri has remarked that during his childhood days in Kishoregange,
a common standard for testing the level of erudition in the Bengali language
during family gatherings (like for example testing the vocabulary stock of a
would be bridegroom as a way of teasing him) was the ability to pronounce and
recite the poetry of Dutt, without the trace of an accent.
“If there be any one among us anxious to leave a
name behind him, and not pass away into oblivion like a brute, let him devote
himself to his mother-tongue. That is his legitimate sphere, his proper
element.”
One of the reasons for his decision to leave the
religion of his family was his refusal to enter into an arranged marriage that
his father had decided for him. He had no respect for that tradition and wanted
to break free from the confines of caste based endogenous marriage. His
knowledge of the European tradition convinced him of the superiority of
marriages made by mutual consent.
Madusudan married twice. When he was
in Madras, he married Rebecca Mactavys. Through Rebecca, he had four
children. Michael returned from Madras to Calcutta in
February 1856, after his father’s death. Michael later married Henrietta Sophia
White. His second marriage lasted till the end of his life. From his second
marriage, he had one son Napoleon and one daughter Sharmistha.
The tennis player Leander Paes is the son
of his great granddaughter.
Madhusudan died at Calcutta
General Hospital on 27th June,1873. After death he
was not paid a proper tribute for fifteen years. The belated tribute took the
form of a shabby makeshift tomb. Madusudan’s life was a mixture of joy and
sorrow. Although it could be argued that the loss of self-control was
largely responsible for his pitiable fate, his over-flowing poetic originality
for joy was to become forever immortalized in his oeuvre. His epitaph , a verse
of his own, reads :
“ Stop a while, traveler !
Should mother Bengal claim thee for
her son.
As a child takes repose on his mother’s elysian
lap,
Even so here in the long home,
On the bosom of the earth,
Enjoys the sweet eternal sleep
Poet Madhusudan of the Duttas.”
In the words of Bankim Chandra Chatterjee, the
father of modern Bengali prose, the poet of Meghnad Badh Kabya thus :
“…to Homer and Milton as well as to Valmiki, he
is largely indebted, and his poem is on the whole the most valuable work in
modern Bengali literature.”
In word of Tagore :
“ The epic Meghnad-Badh is really a rare
treasure in Bengali literature. Through his writings, the richness of Bengali
literature has proclaimed to the wide world.”
Vidyasagar’s lofty praise runs :
“Meghnad-Badh is a supreme poem.”
Rabindranath Tagore would later declare:
“It was a momentous day for Bengali literature
to proclaim the message of the universal muse and not exclusively its own
parochial note. The genus of Bengal secured a place in the wide world over
passing the length and breadth of Bengal. And Bengali poetry reached the
highest status.”
JOHN ELLIOT DRINKWATER
BETHUNE AND THE WOMEN’S EDUCATION IN BENGAL
John Elliot Drinkwater Bethune (1801-1851),
previously John Elliot Drinkwater, a Barrister and a law member of the
Governor-General’s Council, was an Anglo-Indian lawyer and pioneer in promoting
women’s education in 19th-century India. When his father added ‘Bethune’
to his name, he did likewise. In 1849, Bethune founded an institution for
women’s education in Calcutta, then the Capital of British India. The institute
later bore his name and became famous as Bethune College.
He was born in Ealing, son of Col. John
Drinkwater Bethune of Salford, who had earned fame as the author of “History
of the Siege of Gibraltar”. A brilliant student, young John was
educated at Westminster school, graduated as a wrangler from Trinity college,
University of Cambridge. He was proficient in Greek, Latin, German, French and
Italian and also earned fame as a poet. In 1848. he was sent to India as Law
member of the Governor General’s Council. This school in Cornwallis Square was
established by the late J.E.D. Bethune, for the education of the daughters of
Native Gentlemen, and was the first of its kind in Kolkata.
The foundation stone of the handsome buildings
was laid with great state in November 1850 by Sir John Litter, then Deputy
Governor of Bengal. The Buildings are spacious and admirably adapted
for the purpose for which they are designed, and there is a fine residence for
the Head Mistress. Besides his ordinary official duties he undertook the
presidency of the Council of Education and took a keen interest in educational
questions generally. The earliest school for Indian girls was opened at Gouribari
in North Calcutta in 1819 by the Calcutta Female Juvenile Society, organized by
Calcutta Baptist Mission Society. Ever since the School Society was established
in 1818 by David Hare in Kolkata, the question of whether girls should be
provided the same education as boys had been debated. Radhakanta Deb, one of
the secretaries of the Society and a leader of the conservative section of
Hindu society, had opined in favour of girl’s education and wanted girls to go
to school along with boys. However, his views were not shared by others in
Society. In 1821, British and Foreign School Society sent Mary Ann Cook to
India to initiate women’s education.
When the differences of opinion amongst the
members of the school society prevented Miss cook for taking up her task, she
started working with the Church Missionary Society. With her efforts at least 277
girls had the opportunity of education in ten schools. Subsequently, at the
initiative of Lady Amherst, wife of Governor General Lord
Amherst, Bengal Ladies Society was set up. An official report in 1838 mentions
19 girls schools with around 450 students in different parts of Bengal.
Most of the schools were set up by Christian
women and were part of the efforts for propagating Christianity. The Bengali
elite were still not ready to send their girls to school. The Young Bengal
group had been persistent in their advocacy of the cause of Indian women, Peary
Chand Sarkar, a former student of Hindu college, then posted as headmaster of
Barasat Government School took a leading part in setting up a free school for
girls in 1847 in Barasat ( later the school was named Kalikrishna Girls High
School). Most possibly, Bethune took a cue from this school, when he went there for
inspection as President of Council of Education. With the support of such
people as Dakshinarajan Mukherjee, Ramgopal Ghosh, Iswar Chandra Vidyasagar and
Modanmohan Tarkalankar, Bethune set up the secular Native Female School in 1849
and donated all his immovable property to the school. It was the first such
effort in Kolkata and a major impact on society. The government took it over in
1856 and renamed it Bethune School in 1862-63. Iswar Chandra Vidyasagar,
Dwarkanath Vidyabhusan and other liberals supported the school for
twenty years but the institution did not receive wide public support.
Bethune was closely associated with the Calcutta
public library and translation activities into Bengali. He published a treatise
on women’s education by Pandit Gour Mohan Vidyalankar and distributed it at his
own cost. In 1849, soon after his joining as Law Member of the Governor
General’s Council, Bethune prepared a draft to bring the British-born
subjects of the crown under the jurisdiction of the courts and laws of the
British East India Company. A powerful agitation by the Europeans scuttled the
move. In the same year, when Michael Madhusudan Dutt published his English Book
of Poems, Captive Lady, Bethune said that it was a folly for foreigners to
attempt establishment as English poets, but if such talent was dedicated to the
local languages, the country could greatly benefit.
CHARLES FREER ANDREWS
Andrews was born in Newcastle-on-Tyne on
February12, 1871. A brilliant student of King Edward VI School stood first in
classical III at the age of fifteen. He could quote from memory long passages
of Greek and Latin verses. Andrews was selected for a classical Scholarship at
Pembroke College, Cambridge in 1883. In 1889 he again came to Cambridge to teach Theology.
On March 20, 1904, Andrews came to India as a Christian Missionary and joined
the staff of St. Stephen’s College in Delhi. Deenabandhu Andrews met
Rabindranath Tagore in England in 1912 at the house of William Rothenstein. The
beauty of Tagore’s poetry moved him and opened up new vistas before his mind.
His meeting with Rabindranath Tagore further strengthened his kinship with
India and he come to look upon Tagore as his Gurudeva.
The conditions of Indians in South Africa who were
deprived of social rights on the grounds of racial discrimination agrieved
Andrews deeply. He was shocked to hear about the indentured labour system. When
he went to Durban in January 1914 with Gopal Krishna Gokhale, he met Mahatma
Gandhi who was fighting for the rights of Indians. His sympathy for the Indians
in Fuji was intensified when he read the book “The Fuji of today”. When Gokhale
died, Andrews took up his unfinished work of redressing the distress of the
Indians in Fuji. He worked very hard to bring and end to the heartless system
of indenture, and this was finally accomplished on January 1, 1920. He was in
South Africa and Kenya several times, upholding the Indian honour and
self-respect against insults and racial discrimination. He was with Gandhiji on
several occasions, and always there in Gandhiji’s times of special need-in
sickness, and during the great fasts of self-purification, as at the Round
Table Conference in London. His temporary home in India was Santiniketan. He
along with W. W. Pearson worked in Santiniketan to share the burdens of
Rabindranath Tagore. He loved Santiniketan as it was to him abode of boundless
peace. Mahatma Gandhi and Gurudev Tagore were the closest associates of
Andrews. He was ‘Charlie’ to both of them. He supported Gandhiji’s
campaign of non-violence. He loved and revered Gandhiji as he believed that
deliverance of the suffering people of India would come through him, he pleaded
strongly for India’s independence. The Post and Telegraph department paid
homage to this great friend of India by issuing commemorative stamp on the
occasion of his birth centenary. Andrews wrote his own story “what I
owe to Christ” in 1932 and several others like “Christ & Labour”, “Mahatma
Gandhi’s Ideas” and “Documents relating to the Indian Question” etc.
Charlie Andrews died on April 5, 1940 during a
visit to Kolkata and is buried here. He is widely commemorated and respected in
India, and was a major character portrayed by British actor Ian Charleson in
the 1982 film “Gandhi” by Richard Attenborough.
David Drummond was a native of Fifeshire, Scotland,
born in 1785, eleven years before the death of Robert Burns. Drummond was
inspired by the ploughman poet, which filled all Scotland. A few of his songs,
in the homely Doric of the native land, became popular. In 1813 Drummond left Scotland
forever, and landed in India. He lived with a friend (Mr. Christie) at
Berhampore for a short time, and was then appointed as an assistant on Rs.125 a
month, with board and lodging, in the proprietary school of Messer’s.
Wallace and Measures. A few years after he became sole proprietor the Dhurmotolla
Academy under him speedily attained the highest position amongst the
educational establishments of Kolkata, and aided high class English education
among the European Children, as well as to Eurasians and natives. The impetus
given by Drummond to education in Kolkata awoke a spirit of competition; the
means of education multiplied, and a healthy rivalry between schools of various
sorts produced the happiest results.
Henry Louis Vivian Derozio was given formal
education at this school of David Drummond, during his childhood (from eight to
fourteen years of his age). Drummond was a good example of the best type of the
old scotch Dominic, a scholar and a gentleman, equally versed and well read in
the classics, mathematics and metaphysics of his day. His culture and power of
independent thinking impressed young Derozio. Drummond believed that
opinions should be formed on the basis of Science, logic and reason, and should
not be influenced by authority, tradition, or any other dogma. The
years Derozio spent at Drummond’s Academy were enough to school him in the
classics and gave him an understanding of Western traditions.
In the year 1829, shortly after the publication
of his Objections to phrenology, the intense application of
stress coupled with improprieties in diet, completely broke down the health of
Drummond. Drummond sought to regain health by a residence in the
Straits of Malacca, and left the care of his flourishing school to a Mr.
Wilson. When he returned in 1830, with health little improved, the Academy had
lost ground, and he was unable to carry on the heavy duties which the labour of
a large school implied. Soon afterwards, with the money derived from the sale
of the goodwill and furniture of his school, he retired to the General
Hospital, where he remained for years an invalid. He could not teach, but he
could write, and he thought he saw an opening for a weekly paper. Under the
auspices of Drummond as proprietor, editor, reporter, the Weekly
Examiner, “a journal of politics, news and literature” had an existence of
nearly two years (1839-41). To this weekly newspaper both Dr. John Grant and
Dr. D. L. Richardson frequently contributed, to help their old friend in his
new venture; but the burden of the whole laid heavily on Drummond. By the
middle of 1841, Drummond was again prostrate with spine disease. Unable to sit
up to write or even to write in bed, his editorials were dictated in spasmodic
gasps between the intervals of weakness and bodily agony. At last he gave the
struggle up. After staying in India for 30 years on April of 1843, at the age
of fifty-six, David Drummond, interloper and schoolmaster, slept the sleep that
knows no waking, to such a life, at least, as that through which he had passed.
Over the remains of David Drummond in the new Burial Ground, Circular Road,
there is a monument erected by his friends and pupils, on which are
recorded respect for his character, admiration for his talents, and esteem for
his worth.
Research -Santanu Roy.
Picture Courtesy - Sudip Ghosh.